14 "Then she carried her prostitution even further. She fell in love with pictures that were painted on a wall-pictures of Babylonian military officers, outfitted in striking red uniforms. 15 Handsome belts encircled their waists, and flowing turbans crowned their heads. They were dressed like chariot officers from the land of Babylonia. 16 When she saw these paintings, she longed to give herself to them, so she sent messengers to Babylonia to invite them to come to her. 17 So they came and committed adultery with her, defiling her in the bed of love. After being defiled, however, she rejected them in disgust.
Matthew Henry's Commentary on Ezekiel 23:14-17
Chapter Contents
A history of the apostacy of God's people from him, and the aggravation thereof.
In this parable, Samaria and Israel bear the name Aholah, "her own tabernacle;" because the places of worship those kingdoms had, were of their own devising. Jerusalem and Judah bear the name of Aholibah, "my tabernacle is in her," because their temple was the place which God himself had chosen, to put his name there. The language and figures are according to those times. Will not such humbling representations of nature keep open perpetual repentance and sorrow in the soul, hiding pride from our eyes, and taking us from self-righteousness? Will it not also prompt the soul to look to God continually for grace, that by his Holy Spirit we may mortify the deeds of the body, and live in holy conversation and godliness?