14 And that she increased her whoredoms: for when she saw men pourtrayed upon the wall, the images of the Chaldeans pourtrayed with vermilion, 15 Girded with girdles upon their loins, exceeding in dyed attire upon their heads, all of them princes to look to, after the manner of the Babylonians of Chaldea, the land of their nativity:
14 "But she carried her prostitution still further. She saw men portrayed on a wall, figures of Chaldeans
14 But she carried her whoring further. She saw men portrayed on the wall, the images of the Chaldeans portrayed in vermilion 15 wearing belts on their waists, with flowing turbans on their heads, all of them having the appearance of officers, a likeness of Babylonians whose native land was Chaldea.
14 But Oholibah surpassed her sister. When she saw figures of Babylonians carved in relief on the walls and painted red 15 fancy belts around their waists, elaborate turbans on their heads, all of them looking important - famous Babylonians! -
14 But she increased her harlotry; She looked at men portrayed on the wall, Images of Chaldeans portrayed in vermilion 15 Girded with belts around their waists, Flowing turbans on their heads, All of them looking like captains, In the manner of the Babylonians of Chaldea, The land of their nativity.
14 "Then she carried her prostitution even further. She fell in love with pictures that were painted on a wall-pictures of Babylonian military officers, outfitted in striking red uniforms. 15 Handsome belts encircled their waists, and flowing turbans crowned their heads. They were dressed like chariot officers from the land of Babylonia.
Matthew Henry's Commentary on Ezekiel 23:14-15
Chapter Contents
A history of the apostacy of God's people from him, and the aggravation thereof.
In this parable, Samaria and Israel bear the name Aholah, "her own tabernacle;" because the places of worship those kingdoms had, were of their own devising. Jerusalem and Judah bear the name of Aholibah, "my tabernacle is in her," because their temple was the place which God himself had chosen, to put his name there. The language and figures are according to those times. Will not such humbling representations of nature keep open perpetual repentance and sorrow in the soul, hiding pride from our eyes, and taking us from self-righteousness? Will it not also prompt the soul to look to God continually for grace, that by his Holy Spirit we may mortify the deeds of the body, and live in holy conversation and godliness?